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I Stopped Talking and Started Making the True Great Film

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The first time I mentioned I was making a film about Winnie Mandela, it happened to be to a novelist, in a bar in Amsterdam. He screwed up his face and said: “What? That murderer!” His response was echoed on numerous occasions around the world. Nelson Mandela was still perceived as a saint and his…

“We Don’t Use Words to Tell a Story”: Directors Lily Baldwin

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We don’t use words to tell a story. We use bodies, gestures, dance, color, music and sound as tools. Inherently with this, there is room for interpretation about what the work IS ABOUT. This is the beauty and of course the challenge around non-traditional narratives. Meaning its fluid. VR is perfect for this. In Through…

“Communicating with Respect and Openness”: Director José María Cabral

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Communication was the key for writing, shooting and making the movie, particularly this one. Woodpeckers explores communication and language in a very specific level. First of all the writing process was about making contact and understanding the prisoners, getting to create relationships, not only for the script but also because I wanted them as actors…

I Want the Viewer to Feel Totally Immersed in My World

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For me God’s Own Country is an investigation into authenticity of emotion and landscape. Having grown up on the same hillside where the film is set, it was critically important to me to communicate what this very specific landscape not only looks like but how it feels, sounds, tastes, smells. The wind, the cold, the…

Cate Outstripped Us All with Her Immeasurable Enthusiasm

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Manifesto was originally planned as a 13-screen installation for the art context. And so it is touring museums and art festivals now. But I also got some funding from a German TV channel and I needed to consider how to bring that multi-screen-concept later into a linear version. Given the fact that we only had…

Hiring All Women Isn’t a Gimmick; It’s Progress and Prospect

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Bela Lugosi once famously said, “It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out — and come back for more.” He was as right then as he is now. Women love horror. And yet here we are in 2017, and even though…

“Basically What You’re Asking for Is Faith”: Director Michelle Morgan

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For me, the greatest communication challenge that I encountered while working on my film happened during the prep phase, where I was still scrambling to raise funds and cast my leads. This was my first feature and a lot of people just weren’t sure of me yet. And short of surgically implanting someone into my…

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